Note: attack and release settings are time based parameter and as such they influence the groove and rhythm of your song, so the values you set for them will depend on the tempo of the track.
If you listen to the drum sound when the attack is ultra-fast, it will sound flabby and weak. To resolve this, fine tune the attack. Recall the goal is to allow the transient to peek through and then clamp down with the compressor. Start with an ultra-fast attack and begin increasing it. As you increase the attack time listen for the drum sound to change. Eventually you will start to hear the transient of the drum really smack. This is the sound you want. Keep increasing the attack until further increases in attack time don't influence the sound of the drum and then bring the attack back a little bit.
If you look at your gain reduction meter you should find that the amount of gain reduction you're getting has decreased drastically. At this point it may be worth while lowering the threshold so the effect is more noticeable.
Now start playing with the release time. The goal is to compress reduce the volume of the drum sound immediately after the transient hits and have it recover quickly. If you set the release correctly you should start to get a snapping sound almost like a whip cracking. Now revise your threshold and ratio setting so you are getting a few dBs of gain reduction.
In this example, somewhere between 3 and 5dB is plenty and gives a relatively transparent effect. For this application it can be okay to apply more gain reduction for a more compressed sound. Heavily compressed drums are a hallmark of certain genres like hip hop, dubstep and techno.
Now increase your output gain so the level of the compressed signal matches the level of the uncompressed signal. The final step is to determine if the compressed drum sounds 'better' than the uncompressed drum. Sometimes it won't. If that's the case try revising the settings on your compressor or remove it altogether. Then repeat the process while you listen to the effect in the context of your entire mix. You may find that sometimes this technique can hurt the low end of your kick.
Compressing an Electronic Kick Every compressor has its own sound. As you start to push different compressors you'll start to notice more than just the dynamics of a signal can be changed.
When Ableton 9 Suite was released it came with a new compressor developed by Cytomic called Glue Compressor. It was modelled after 'a famous 80's mixing console' and it imparts, in my opinion, lovely harmonics and warmth.
In this example, we'll use the Glue Compressor to add some grit to an kick from Ableton Core Kit. In this case the goal is really to be creative and abuse the sound using the compressor. Start by setting a ratio of , an attack of 30ms and the release to A for auto. If the input gain is high enough you'll start to see a little red light labelled clip turn on in the upper righthand corner. Enable the button below it labelled 'Soft', this will give us more distortion.
Really that's all there is to it. Feel free to play with the other parameters to dial the sound in to just the way you want it. Using Compression to Glue Layered Snares Together Layering drums is a fundamental part of sound design in many popular genres of electronic music. In a nutshell, the idea to have each layer contributing a certain characteristic to the sound.
If you apply this to a snare drum, you would choose one sample that provides the low end smack, the next sample will provide the mid range maybe a clap and the final layer will fill in the high end white noise or a snare with a really crisp top. Generally this technique involves shaping the envelopes and EQing the individual sounds to fit together before glueing them with a compressor.
But for simplicity we will deal exclusively with the final compression step. Compressing a Drum Sub-Mix The goal of compressing a drum sub-mix or bus track is a similar to compressing layered drum sound: gently raise the RMS volume, bring out some of the quieter elements of the drum mix and glue the drums sounds together so they sound like one kit.
All that's needed in most cases is gentle compression. I think of this type of compression as the buttery smooth suspension of a luxury car. It should even out the bumps in the road for a nice gently ride but it won't be very responsive off the line or in the corners like a sports car. I'll use the Glue Compressor in this example to gently squeeze a hip hop beat.
The Wrap-Up At the end of the day, compressing drums is all about what your specific goals are. A good rule of thumb if you want snappy, crisp sounding drums is a medium-slow attack time with a fast ish release.
The reason being you want the transient of the drum hit to pass through the compressor largely unaffected. If the attack is too fast you will compress the life right out of the drums by reducing the volume of the transient. Now let's see together how to download Fl Studio Download Crack 20 for free..
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