Even the distorted marimba that plays like a heart beat has its own unique sonics. I honestly believe God made the drums and I was just a vessel! The verses came first for this song and then a month later the chorus came. This was my first hit in UK funky, it kickstarted everything for me. I love both the funky house version and the Drake remake, both mixes are tremendous.
What a tremendous riddim to play in your set just when you need to give the crowd a rush of energy. The police sirens were excellently placed and the bass speaks for itself. The song gave young Africans a chance to have their own moment in a rave. You were classically trained on saxophone and piano from a young age. How does this shape your approach to producing and putting together songs? On my 13th birthday, I was given a pair of Neumark Turntables and some vinyls.
What was your approach for putting together this track? Creating Outline was one of those rare occasions where everything seemed to fall into place. I created the instrumental and had an idea on the type of lyrics and melody I could hear on it, I sent it to Karen Harding who had some brilliant top line ideas, then played it to Julie Bergan and she loved it and the rest is history. When it came to selecting singers, how did you end up working with Julie Bergan?
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